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Abstract The study of different types of statuary groups allows us to glimpse, when we know their exact position in a given part of a temple, the role and interference of the figures represented. King and deities For the most part, the statuary group …

Abstract Thermalized elastic membranes show strong scale-dependence of their elastic moduli. A beautiful realization is in the physics of thermalized 2D metamaterials, such as graphene, where thermal effects already set in at microscopic length scales. …

Abstract After an incursion into tragedies that evoke human sacrifice, animal sacrifice is analyzed in three tragedies: Aeschylus' Agamemnon , Euripides' Electra and Sophocles' Antigone . The Agamemnon , in which the human sacrifice of Iphigenia is …

Abstract Faced with the growing success of discourses that make climate change the driving force behind the successes and (above all) the failures of ancient societies, we need to give a voice to the actors -   humans and non-humans alike   - of …

Abstract Divine and royal statuary is an integral part of the Egyptian temple. The temples we visit today may have kept their walls, and sometimes even their ceilings, but most of them are almost completely emptied of their rich furnishings, which …

Hosted by Nicolas Donin …

This event is not broadcast online. The concert is open to the public by invitation or prior registration . Registration is compulsory: attendance on the day of the 23 rd does not guarantee a place. Program Presentation by Jean-Louis Leleu, Professor …

Abstract It's hardly surprising that a man who built his career on disobedience and refusal of authority should have seen his own authority challenged early on. The virulence of opposition to Boulez was commensurate with the man's intransigence and the …

Abstract Throughout Pierre Boulez's career, his creative activity was matched by complementary professional roles designed first and foremost to promote the dissemination of his work and the modern works he supported: founder and director of institutions, …

Conference in English. Abstract Pierre Boulez reminds us that one of the sources of the form of Anthèmes 1 is the plainchant Lamentations of Jeremiah , which he sang in his youth during the First Nocturne service on Holy Thursday. The most striking …

Abstract Long before 1977 marked the inauguration of Ircam and the start of his lectures at the Collège de France, Pierre Boulez had laid the foundations for his public activities. He had even done so by stirring up resounding polemics that left little …

Abstract "Music doesn't need a laboratory". With these words, the famous physicist and Nobel Prize winner Werner Heisenberg at the Max Planck Institute rejected Pierre Boulez's project for collaboration between science and music in 1970. Did Werner …

Abstract In November 1970, at the request of President Georges Pompidou, Pierre Boulez began work on a project to integrate a music research institute into the future Beaubourg Plateau art center. Over the next three years, Boulez consulted and assembled …

This event is not broadcast online. Program Presentation by Nicolas Donin and Jonathan Goldman Pierre Boulez Dérive  1 , for six   instruments (the work will be performed twice) Répons , for six   soloists, ensemble and electronics (excerpt) Tristan …