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Dimitte voces, accipe sensus! Hieroglyphics in the Renaissance: the utopia of a universal language and script

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    Jean Winand is invited by the Collège de France assembly at the suggestion of Prof. Jean-Luc Fournet.

    Jean Winand

    Professor, Department of Ancient Sciences, Egyptology, Ancient Worlds, University of Liège
    Neo-hieroglyphic panel from Francesco Colonna, Hypnerotomachia Poliphili, French edition by Jacques Kerver, Paris, 1561, fol. 11v. 

    Documents and media

    Program

    Guest lecturer
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    Venice, 1499: Hypnerotomachia Poliphili or the birth of neo-hieroglyphics

    Jean Winand
    Dimitte voces, accipe sensus! Hieroglyphics in the Renaissance: the utopia of a universal language and script
    Salle 5, Site Marcelin Berthelot
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    Guest lecturer
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    Festina lente: a hieroglyphic reading of the world

    Jean Winand
    Dimitte voces, accipe sensus! Hieroglyphics in the Renaissance: the utopia of a universal language and script
    Salle 5, Site Marcelin Berthelot
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    Guest lecturer
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    Lambert Lombard and the monument by Hubert Mielemans (Eglise Sainte-Croix, Liège, ca. 1558-1560)

    Jean Winand
    Dimitte voces, accipe sensus! Hieroglyphics in the Renaissance: the utopia of a universal language and script
    Salle 5, Site Marcelin Berthelot
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    Guest lecturer
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    The end of a cycle: when Athanasius Kircher composed his own hieroglyphics

    Jean Winand
    Dimitte voces, accipe sensus! Hieroglyphics in the Renaissance: the utopia of a universal language and script
    Salle 5, Site Marcelin Berthelot
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    See also

    Jean-Luc Fournet, chair Written Culture in Late Antiquity and Byzantine Papyrology