Abstract
In 1530, Francis I founded the Collège des lecteurs royaux—now known as the Collège de France—to provide the nation with the knowledge it needed. One hundred and fifty years later, in 1680, Louis XIV founded the Comédie-Française, granting it a monopoly on French-language theater in Paris. These two centuries-old institutions are based on administrative models that are unique today, in which the leading actors and actresses of both organizations are at the heart of their operations and decision-making. Is this the reason for their longevity?
A discussion moderated by Mathilde Serrell, journalist and producer at France Inter.