Olivier Messiaen and his compositional strategies

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Part 3 - Composition and completion strategies

Speaker(s)

Yves Balmer

Professor at the Conservatoire National Supérieur de Musique et de Danse in Paris

Events

Orson Welles completed by Netflix. Reflections on the value of film in the digital age

Achèvements par-delà les frontières - Khovanshchina Paris 1913

Olivier Messiaen and his compositional strategies

The temptation to finish an unfinished work in place of the author : Nietzsche's Posthu…

Symposium

14 May 2019

16:30 - 17:15

Antoinette Le Normand-Romain

Rodin's non finito : the emotion of statuary delivered to the public

The social conditions for the emergence of the non finito in Italian art (^14th-16th c.)

Olivier Messiaen and his compositional strategies

Speaker(s)

Yves Balmer

Events

Introduction

Internal incompleteness

The obscure object of a sense of completion

The creative process : its dynamic, non-linear nature

Orson Welles completed by Netflix. Reflections on the value of film in the digital age

Achèvements par-delà les frontières - Khovanshchina Paris 1913

Olivier Messiaen and his compositional strategies

The temptation to finish an unfinished work in place of the author : Nietzsche's Posthu…

Rodin's non finito : the emotion of statuary delivered to the public

The social conditions for the emergence of the non finito in Italian art (^14th-16th c.)

Conclusion

See also

Olivier Messiaen and his compositional strategies

Speaker(s)

Yves Balmer

Events

Introduction

Internal incompleteness

The obscure object of a sense of completion

The creative process : its dynamic, non-linear nature

Orson Welles completed by Netflix. Reflections on the value of film in the digital age

Achèvements par-delà les frontières - Khovanshchina Paris 1913

Olivier Messiaen and his compositional strategies

The temptation to finish an unfinished work in place of the author : Nietzsche's Posthu…

Rodin's non finito : the emotion of statuary delivered to the public

The social conditions for the emergence of the non finito in Italian art (14th-16th c.)

Conclusion

See also

The social conditions for the emergence of the non finito in Italian art (^14th-16th c.)