The aim is to demonstrate the computational strategies involved in the conception, simulation and realization of all stages in the composition of a musical work by a composer using new technologies. Particular emphasis will be placed on the "orchestration" part, which makes use of a software prototype to which I made a major contribution at Ircam.

Composition and computer music : from material development to orchestration

Writing music : what strategies to use today ?

Documents and media

Speaker(s)

Yan Maresz

Events

Introduction

Virtual tools for the representation and physical fabrication of sound

Vox ex-machina : the voice and its digital doubles

Sound descriptors and music writing

Composing for posterity in the age of programmed obsolescence

Towards a dynamic system for composing and writing electronics

Musical aesthetics of imprinting

Seven challenges and shortcomings of Artificial Intelligence and music writing

Interfaces in music creation: a human and software paradigm

Strategies for writing time in Antescofo

Composition and computer music : from material development to orchestration

Composing sound (and giving it shape)

Summary of the day

See also