Abstract
If we accept that places of power cannot be reduced to built spaces, can we sketch out their natural repertoire ? Perhaps the simplest way is to return to the topographical evidence of the overhang and sovereign gaze : by following the motif of the mountain of power from Kalila and Dimna to Machiavelli, via the fortress of Alamût and the political fable of " Vieux de la Montagne ", we recall that political art is defined first and foremost by the ability to see from afar. But this quest for the summit, which fuels an entire moral literature warning against vertigo and temptation, is coupled with an ambivalent reflection on the foundations of power. The Icelandic example of theAlthing shows that all places, even the most desolate, can become places of deliberation. From this point onwards, the reflection questions the possibility of a comparative history of forms of representative assembly and, beyond that, the relevance of a search for the fundamental anthropological characteristics of a symbolic geography of domination.