"Onorate l'altissimo poeta": Russian readings of The Divine Comedy

Speaker(s)

Elena Mochonkina

Senior Lecturer at Astrakhan University

Events

Opening

Why do some books never age?

Symposium

1 Apr 2009

11:30 to 12:30

Jacqueline Cerquiglini-Toulet

The Alceste syndrome. François Villon and the old style, between nostalgia and polemic

Stendhal and the Italian Chronicles: rewriting between aesthetic marginality and translation

Symposium

2 Apr 2009

10:30 to 11:30

Patricia Oster-Stierle

"Sleeping Beauty awakened twice: Perrault and the Grimm brothers

Reading an aged text from modern times to the Middle A sketch of a literary hodology in reverse

Symposium

3 Apr 2009

09:30 to 10:30

Jean-Charles Vegliante

Translating, restoring: editing the Vita nova prosimeter

Speaking, preserving and passing on old texts: Icelanders and their Middle Ages

"Onorate l'altissimo poeta": Russian readings of The Divine Comedy

Italian and French rereadings of La Châtelaine de Vergy

Le Gai savoir des vers vieillis

"Onorate l'altissimo poeta": Russian readings of The Divine Comedy

Speaker(s)

Elena Mochonkina

Events

Opening

Why do some books never age?

The Alceste syndrome. François Villon and the old style, between nostalgia and polemic

Melancholy waltz: Charles d'Orléans returns

The long road to Bueve de Hantone: Carlo Goldoni's dramma giocoso

"Moëlleuses sentences : Reading Le Roman de la Rose

Stendhal and the Italian Chronicles: rewriting between aesthetic marginality and translation

"Sleeping Beauty awakened twice: Perrault and the Grimm brothers

Reading an aged text from modern times to the Middle A sketch of a literary hodology in reverse

Translating, restoring: editing the Vita nova prosimeter

Speaking, preserving and passing on old texts: Icelanders and their Middle Ages

"Onorate l'altissimo poeta": Russian readings of The Divine Comedy

Italian and French rereadings of La Châtelaine de Vergy

Le Gai savoir des vers vieillis

Rejuvenating Montaigne

See also